Every subtopic of DP Visual Arts, ready to teach.
Every strand of the DP Visual Arts syllabus, structured around the three course components, the key concepts, and the demands of artistic inquiry at both SL and HL.
One pack. Everything you need to teach the course.
15 topics, one coherent course.
Open any unit to see its topic map and the skills students build across SL and HL.
Unit 1Create
Art-making forms and media, creative strategies, and the synthesis of concept and form — from initial inquiry through to a resolved body of work.
Across 14 lessons and 5 topics, this unit addresses the full arc of art-making practice: exploring and experimenting with diverse art-making forms and materials; applying creative strategies and iterative processes to resolve artistic challenges; generating and refining personal lines of inquiry; and ultimately synthesizing conceptual ideas with formal visual qualities in resolved artworks. Two HL-only lessons extend the unit into greater breadth of experimentation and the sustained development of a complex, personally authentic body of work.
Skills & assessment. Lessons develop the practical and reflective skills central to the process portfolio — experimentation, risk-taking, critical reflection, and refinement — while supporting students in articulating the relationship between artistic intention, process, and final outcome. Key concepts including Inquiry, Synthesis, Resolve, and Communication are embedded throughout, with tasks aligned to the command terms and assessment objectives relevant to both SL and HL making practice.
Unit 2Connect
Investigating artistic contexts, interpreting meaning, and situating personal practice in relation to the broader world of art — at both SL and HL.
Across 14 lessons and 5 topics, this unit develops students' capacity to research, analyse, and critically engage with the work of other artists. Topics address how historical and contemporary artists respond to context; the cultural significance of artworks across time, place, and culture; the construction and interpretation of meaning through visual language, symbolism, and iconography; and the positioning of students' own practice within relevant artistic traditions. Two HL-only lessons extend the unit into in-depth critical analysis and sustained comparative investigation of diverse communities of artistic practice.
Skills & assessment. Lessons build the research, analytical, and comparative skills essential for the comparative study, with tasks structured around key concepts including Context, Inquiry, Interpretation, Connections, and Situate. Students are supported in drawing informed connections between their own art-making and the work they investigate, and in recognising how power structures and cultural bias shape meaning in the visual arts.
Unit 3Communicate
Articulating artistic intentions, curating a body of work, and staging the exhibition — the full communicative dimension of DP Visual Arts practice.
Across 14 lessons and 5 topics, this unit addresses the communicative and curatorial demands of DP Visual Arts. Topics cover how students use visual and written language to articulate creative decisions; strategies for presenting and exhibiting work to varied audiences; critical reflection on artistic inquiry and personal growth; curatorial decision-making including selection, organisation, artist statements, and annotations; and the planning and staging of the exhibition itself. Two HL-only lessons extend the unit into greater depth and sophistication in written communication and curatorial presentation.
Skills & assessment. Lessons are directly aligned to the exhibition assessment component, developing the curatorial reasoning, reflective writing, and audience-awareness that mark achievement at higher performance levels. Key concepts including Communication, Identity, and Curate are embedded throughout, and tasks give students structured practice in the kinds of written and visual communication required across the exhibition and its supporting documentation.
A clear teaching arc in every lesson.
Built for the exams students will sit.
Walk into every lesson already prepared.
The entire DP Visual Arts course, built to the current syllabus and ready to teach — so your time goes into the students in front of you, not into building resources from scratch.